Woodjee ritual dimension, point out the intimate and vital relationship which exists between the helmet and the motorcyclist. When he puts down his helmet, the rider becomes fully aware of the essential relationship that binds them to the life.

Woodjee fades and focuses our attention on the helmet, a central object that is no longer carelessly put down where possible and weakened by repeated shocks.

The helmet becomes a decorative object that stands with great pride in our interiors.

Our helmet support has been designed, manufactured and packaged in France. It is producted in aluminium, then painted one to one.

Beyond its functional dimension, Woodjee ritualizes the intimate, vital relationship that exists between the helmet and the biker.

When he puts his helmet on this structure, the biker becomes fully aware of its presence, and thereby, of the essential relationship to the life that binds them. Woodjee then disappears and focuses our attention on the helmet, a central object which is no longer negligently placed where possible, potentially weakened by repeated shocks. The helmet becomes a decorative object, valued in its own right, which now thrones in our interiors.

When the biker leaves and retrieves his helmet, the ghostly architecture of Woodjee makes the absence of the helmet palpable, and by extension the memory of the biker.